The preliminary task was to gain insight into shooting a filming footage, staging a simple scenario, and then editing it. I found this was highly beneficial for me as a director, as i gained knowledge into how films are created, scripted, filmed and edited. Although the task was very basic, i had gained a lot knowledge into practically executing camera angles, and using a range of them to have a selection whilst editing. I feel as if the preliminary boosted my confidence into finally filming the production, as it allowed me to become more familiar with filming and uploading to YouTube.
Here are some things I have learnt from doing the preliminary, and how it was applied by the cameraman in the final production: (refer to main picture below, of all shot types mentioned)
180 Degree Rule:
This rule states the following-
The rule is a basic guideline that states that 2 characters in the same scene should always have the same left/right relationship to one another. If the camera were to pass the imaginary axis (as seen on diagram) connecting the 2 characters/subjects, it is known as crossing the line. Filming from the opposite side and crossing the line is known as a reverse angle.
From using the 180 degree rule, we learned how it is vital to maintain it, so that the audience does not become confused by seeing either side of the shot. In the preliminary, the camera is placed on the right side of the axis, looking at both characters so they are horizontal in the frame, looking straight on. However, in the production, we have a shot of Ahmed reaching toward Jordan, showing him in front of Jordan, however still staying in the imaginary axis, therefore not breaking the 180 rule. We used our experience of executing the rule in the preliminary, and applied it to the final video. This was very beneficial as we were able to use basic shots, as well as more creative and innovative ones.
Establishing Shot:
This shot is used to-
We used an establishing shot in both the preliminary and final production. We used it to establish the location to the audience, to show where the scene was taking place, so the viewer is not confused about the whereabouts of the character. In the preliminary, we used the establishing shot right at the beginning, where it is normally supposed to take place.
It is clear to see there are 3 characters introduced to the audience. We can clearly see they are in a school environment, walking in the corridor. We can establish they are school students, as they are dressed in similar colours, being black and white, as they are in their natural daily environment. This shot was also mirrored in the final production, we found it was vital to include this shot in the final production as well, because we wanted the audience to know exactly where Ahmed was, to justify the reason as to why he was detained in detention for so long after school. This also allows the viewer to make sense of what is happening in the scene, and allow them to understand the proxemics of the space, which can affect the mood too: e.g. if the space is small, a sense of desperation and confinement is introduced, however if the location is big, we get this idea of freedom, and chaos e.g. an establishing shot of a city, or school, or big building. We used the establishing shot in the final production as well.
By using this shot i have learned that it is crucial for the audience to understand where the character(s) is, as it therefore makes sense to them, so that they are not at any point confused about what is happening. The fact that we used a school environment showed a very normal location, where it is busy and chaotic during the day, however becomes eerie and silent after hours. I think the preliminary and final production contrast on those terms, which is why it was great to compare both with each other.
Closeup:
In the preliminary task, we wanted to explore the use of close-up shots, as we thought they would be vital to use in the final production, as they capture the subject's facial expression, to possibly heighten their mood, and present it to the viewer in a more dramatic way. It is also for the audience to observe eye-contact, and where their eyes are looking. In the preliminary, the actor's eyes are looking downward towards her newspaper, suggesting she is not interested in talking to the person opposite her. We wanted to include this in the final production, and the photo shows Ahmed's eye contact is with the area directly infront of him, he is looking straight on, to show his shock and curiosity as to why the tricycle is tilted and left abandoned. I learnt from executing close-up shots that the camera has to be extremely still, as even the slightest movement can distort the viewer. So when we did our preliminary, we practiced holding the camera still on the tripod, and zooming in, and allowing the camera to focus on the shot for 5 seconds before saying 'cut'. this allowed clear and easy execution in the final production filming stage.
Match on action:
Match on action is crucial for maintaining continuity in the sequence, as it allows the audience to see an action followed by a matching action of the previous action. This can be done in 2 or more shots. We used this in the preliminary to explore it. I was used whilst the actor was walking towards the door, and then opening the door to enter the room. This is a match on action because the actor wants to go to the door to open it and go inside the room. We also used this shot after exploring it in the preliminary, in our final production, in the same way. When Ahmed leaves the classroom, he puts his hand on the handle, and in the second picture he has opened the door, wanting to exit the room, as detention is over. This shot was so that the audience could clearly see Ahmed leaving, so that they are not confused when he travels into a new location within the setting.
Shot reverse shot:
We explored this in the preliminary task, to show an exchange of emotion between the two actors, in the first frame, the actor is explaining to the actor opposite her, why she has done something, in the next frame, the actor on the other side is not reacting, showing she is not interested. Lastly in the 3rd frame, the actor looks disappointed. This allows the viewer to see the reaction exchange between two subjects, who are facing opposite eachother, and this is normally used in conversation. We then applied this to our final production, where Ahmed is told he can leave, and the first frame shows the teacher looking directly at him, disappointed. The second frame shows Ahmed retaliating to the instruction, and leaving the classroom, and finally in the third shot, Mr Cole looks at Ahmed in disgust, once he has left the classroom. I learned that it is vital for the audience to see both subject's reactions in a conversation, as it conveys the mood of the character and atmosphere. By applying it to the final production, i feel as if we have shown our understanding of these shot types, and used them in our production effectively.